I just posted this on Steven Johnson's blog (www.stevenberlinjohnson.com - Steve, you rule). I publish it here for posterity:
"What’s even more amazing about Crash is its demonstration of the complex social network within the
What it did have was a huge roster of major
This all makes perfect economic sense. Without having to pay for a huge distribution across the nation or a large marketing campaign, the film now gets FREE promotion as Best Film of the Year, getting more people to buy the DVD and talk about it amongst co-workers/friends, and expose them to the film’s complex threads (the Sleeper Curve getting steeper).
Of course, this is just my opinion, and I’d have to research other films that help prove this thesis. But that’s a different blog…"
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